MusicWorks - musicians helping musicians
Your trolley is empty View Checkout
P: 0800 687 429
0800 687 429
RME Fireface 802 USB Audio Interface
Enlarge +
RME

FIREFACE802

RME Fireface 802 USB Audio Interface

Our Price: $3,195.00

Enquire for availability
Click here to enquire

GEM VISA FINANCE

Enjoy 12 Months Interest Free on your GEM Visa

or apply for easy finance at online checkout

Finance Now
Weekly Payments:
52 wks
$72.04
104 wks
$40.92
156 wks
$30.55
apply in-store or at online checkout
Enquire for availability
Click here to enquire

Product Description

The Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:

Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.

TotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller. ?

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.

The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.

Connectivity

- 30 Input / 30 Output channels

- 12 x Analog I/O

- 4 x Mic/Instrument Preamp

- 1 x AES/EBU I/O

- 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical)

- 1 x Word Clock I/O

- 1 x MIDI I/O

- FireWire or USB operation

- TotalMix FX

- optional: Advanced Remote Control

Technical Specifications

AD, Line In 1-8, rear

Resolution AD: 24 bit

Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA

Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz

Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz

Frequency response @ 192 kHz, -1 dB: 5 Hz - 92 kHz

THD: < -110 dB, < 0.00032 %

THD+N: < -104 dB, < 0.00063 %

Channel separation: > 110 dB

Input: 6.3 mm TRS jack, electronically balanced

Input sensitivity: 8 kOhm unbalanced, 12 kOhm balanced

Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV

Input level for 0 dBFS @ Lo Gain: +19 dBu

Input level for 0 dBFS @ +4 dBu: +13 dBu

Microphone In 9-12, front

As AD, but:

Input: XLR, electronically balanced

Input impedance: 3.4 kOhm

Signal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA

Gain range: 54 dB

Maximum input level, Gain +6 dB: +10 dBu

Instrument In 9-12, front

As AD, but:

Input: 6.3 mm TS jack, unbalanced

Input impedance: 800 kOhm

Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA

Maximum input level, Gain +6 dB: +21 dBu

DA, Line Out 1-8, rear

Dynamic range (DR): 115 dB RMS unweighted, 118 dBA

Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz

Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz

Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz

THD: -110 dB, < 0.00032 %

THD+N: -104 dB, < 0.00063 %

Channel separation: > 110 dB

Output: 6.3 mm TRS jack, servo-balanced

Output impedance: 75 Ohm

Output level switchable Hi Gain, +4 dBu, -10 dBV

Output level at 0 dBFS @ Hi Gain: +19 dBu

Output level at 0 dBFS @ +4 dBu: +13 dBu

Output level at 0 dBFS @ -10 dBV: +2 dBV

DA - Stereo Monitor Output Phones (9-12)

As DA, but:

Output: 6.3 mm TRS stereo jack, unbalanced

Maximum output level at 0 dBFS, High: +16.8 dBu

Maximum output level at 0 dBFS, Low: +2 dBV

Output impedance: 30 Ohm

AES/EBU

2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992

ADAT Optical

2 x TOSLINK I/O, format according to Alesis specification

Standard: 2 x 8 channels 24 bit, up to 48 kHz

Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz

Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz

Quad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz

SPDIF optical (via ADAT2)

1 x optical, according to IEC 60958

Word Clock

BNC, switchable termination

The Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:

Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.

TotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller. ?

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.

The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.

Connectivity

- 30 Input / 30 Output channels

- 12 x Analog I/O

- 4 x Mic/Instrument Preamp

- 1 x AES/EBU I/O

- 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical)

- 1 x Word Clock I/O

- 1 x MIDI I/O

- FireWire or USB operation

- TotalMix FX

- optional: Advanced Remote Control

Technical Specifications

AD, Line In 1-8, rear

Resolution AD: 24 bit

Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA

Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz

Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz

Frequency response @ 192 kHz, -1 dB: 5 Hz - 92 kHz

THD: < -110 dB, < 0.00032 %

THD+N: < -104 dB, < 0.00063 %

Channel separation: > 110 dB

Input: 6.3 mm TRS jack, electronically balanced

Input sensitivity: 8 kOhm unbalanced, 12 kOhm balanced

Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV

Input level for 0 dBFS @ Lo Gain: +19 dBu

Input level for 0 dBFS @ +4 dBu: +13 dBu

Microphone In 9-12, front

As AD, but:

Input: XLR, electronically balanced

Input impedance: 3.4 kOhm

Signal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA

Gain range: 54 dB

Maximum input level, Gain +6 dB: +10 dBu

Instrument In 9-12, front

As AD, but:

Input: 6.3 mm TS jack, unbalanced

Input impedance: 800 kOhm

Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA

Maximum input level, Gain +6 dB: +21 dBu

DA, Line Out 1-8, rear

Dynamic range (DR): 115 dB RMS unweighted, 118 dBA

Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz

Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz

Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz

THD: -110 dB, < 0.00032 %

THD+N: -104 dB, < 0.00063 %

Channel separation: > 110 dB

Output: 6.3 mm TRS jack, servo-balanced

Output impedance: 75 Ohm

Output level switchable Hi Gain, +4 dBu, -10 dBV

Output level at 0 dBFS @ Hi Gain: +19 dBu

Output level at 0 dBFS @ +4 dBu: +13 dBu

Output level at 0 dBFS @ -10 dBV: +2 dBV

DA - Stereo Monitor Output Phones (9-12)

As DA, but:

Output: 6.3 mm TRS stereo jack, unbalanced

Maximum output level at 0 dBFS, High: +16.8 dBu

Maximum output level at 0 dBFS, Low: +2 dBV

Output impedance: 30 Ohm

AES/EBU

2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992

ADAT Optical

2 x TOSLINK I/O, format according to Alesis specification

Standard: 2 x 8 channels 24 bit, up to 48 kHz

Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz

Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz

Quad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz

SPDIF optical (via ADAT2)

1 x optical, according to IEC 60958

Word Clock

BNC, switchable termination

Estimate Delivery Cost

Ratings & Reviews Write a review   Average Rating: No reviews yet

No one has reviewed this product yet. Why not post your own review below?

You need to be logged in to write a review.

Click here to log in, or here to register